Human behaviour - Björk

Human behaviour - Bjork

I don't think my life could be summed up in any way better than with this song right now! Having a rollercoaster week, and the more stress kicks in, the more extreme mood changes are. Still, so frustrating and irresistible to approach the definitely definitely definitely no logic!

"If you ever get close to a human

And human behaviour

Be ready to get confused

There's definitely, definitely, definitely no logic

To human behaviour

But yet so, yet so irresistible

And there's no map

They're terribly moody

And human behaviour

Then all of a sudden turn happy

But, oh, to get involved in the exchange

Of human emotions is ever so, ever so satisfying"

The modern things - Björk

The modern things - Björk

In the last few days I've been listening to the whole Björk discography because, again, I had her in my head for no particular reason. I must say that listening to all her songs randomly made me appreciate a bit more also the music she released after the turn of century, which has always been very hard on me. Then I went on to take a nap this afternoon - after getting up very early (for my standards) this morning - and waking up from it, I had in my head the looped lyric she sings at the end of "The modern things", which is in Icelandic; after searching the Internet I think she's singing something like "Engin sér við mér", which means "Nobody gets the best of me", but I am not 100% sure I got it right, as her pronunciation seems slightly different... It's amazing how things that are (supposed to be) unintelligible to our brain given our knowledge pool, still have such a big influence on us, isn't it?!

#sundayrevival Unravel - Björk

Unravel - Björk

Scrolling down my Facebook feed (as I do multiple times every day, damn me) I found an article posted on Janis Joplin's page about 10 of the most difficult songs to sing; apart from feeling satisfied as I could count 7 of them among my favourites, I couldn't do without noticing that n°1 was one of my favourite Björk songs, namely 'It's oh so quiet' and I watched the live video featured in the article, a (great) performance of the song she delivered at Jay Leno. Given that I had already posted the song on the blog in its early days, I went on looking for something else to feature this sunday, and I decided to look back at what I was listening to 5 years ago, back to my June 2011 playlist. And what do I find there? Well, if it isn't Björk herself..! And with one of her best songs, probably my absolute favourite of hers. I think the poetry in the lyrics (and melody) of 'Unravel' is unmatched by any other song of hers, and that's a quite remarkable thing to say. I take my leave to this first week of June 2016 with this gem, which I hope you will appreciate as much as I do!

#liveweek Satisfaction (live @ Brit Awards) - Björk & PJ Harvey

Satisfaction (live @ Brit Awards) - Björk & PJ Harvey

By now we're in the second half of this #liveweek, which has been going quite well up to now! Yet I wanna take it to the next level with these last few posts. This is a song that immediately came to my mind when I thought about the whole idea of a set of blogposts about live performances and I feel I cannot leave it out. So, the recipe is quite simple: take a great and underestimated singer/songwriter from England; take a crazy singer/songwriter from Iceland who is ages ahead her current time; take a glorious rock song by the Rolling Stones; mix it all together and... voilà! I dare you to find a 4-minute music video more powerful than this one in its simplicity!

Thunderbolt - Björk

Thunderbolt - Bjork

People have been referring to this as "keyboard farts", stating that "the end of Thunderbolt sounds like a fart machine". I don't feel like easily dismissing these comments as worthless, because there is some truth in them. I mean, the end of this song and the idea of a fart machine are not the most different things in this universe. But not even the closest. Because, notwithstanding the result that can be more or less enjoyable, with more or less "artistic" value and gaining more or less the favour of listeners, the research behind is commendable. Taking new roads (and the risks that come with them), making use of the latest tools and even creating new tools to produce sounds is a great way to progress. And, come on, how cool is it to make music with a Tesla coil (a.k.a. as fart machine)?!